Different Settings and Selections for the Right Sports Photography
We want to note that all recommendations are rather arbitrary and depend on the task and on how close you are to the scene. If the photographer shoots with a telephoto lens, then the speed of moving objects in the frame can be quite calm, even if in reality it is high, but with a wide-angle and at close range the same actions become lightning fast and require a faster shutter speed. For shooting with wiring, which will be described below, the shutter speed can be quite long, 1/60, 1/30 sec or more. But what you will need actually is the best canon lens for sports photography here. For that your finest destination will be Camerakool.
Capture the best Lights
Not always sporting events are accompanied by good lighting. For example, almost all competitions that take place indoors are clearly visible to the eye, but in order to “capture” an interesting moment in the photo, a very short shutter speed is required, and there is not enough light. Therefore, professional sports photographers previously shot on highly sensitive film. Sometimes, to increase the sensitivity of the film, they resorted to the so-called push process (Push Process). With it, the film is not exposed to the nominal sensitivity, but with a known two- or four-fold underexposure, and then it is shown longer or at elevated temperature, but such a solution is possible for professional, rather than ordinary household laboratories. In any case, you can ask at the film processing center whether they show in push mode and to what sensitivity a particular film can be accelerated without a noticeable loss in quality.
The Shutter Speed and ISO
- But now almost all sports reporters have switched to the “number” and put on their cameras an ISO sensitivity of at least 800, 1600 or even 3200.
- A very fast shutter speed was used for these shots. During the filming, none of the athletes was injured. Although it happens differently:
- The girl was subsequently provided with medical assistance knee bandaging and artificial mouth-to-mouth breathing, and photographers stood in line, ready to help in both.
One of the common tricks in sports photography is wiring photography. This technique works well if the movement of athletes does not occur randomly and spontaneously, but along a certain path, as, for example, in all auto, bicycle and motorcycle races or on track competitions. The essence of the method is simple: the camera must constantly follow a moving object. The photographer leads him, looking into the viewfinder, selects the most advantageous moment, presses the shutter button and, very importantly, does not stop the camera moving before the shutter closes. While the subject is in the viewfinder field, you can take it more than once. Long-focus lenses are commonly used for this method.
The Best Choices
When shooting with wiring, the shutter speed can be slower than with normal sports shooting, and for even more expressive shots, even a certain blur of the subject is allowed. Ideally, the photographer gets a fairly well-read image of the athlete in the picture and a completely blurry background, due to which there is a sense of speed.
In order to make a competent picture, it is very important to find the right place for shooting, choose a lens and a suitable background. If the object and background are close to each other in color or tone, the reception with the wiring will not work, because the athlete will merge with it. The stands completely filled with spectators can be a very good background for shooting with wiring. If the speed of moving the camera behind the athlete is high enough, then the many small details of the background will turn into multi-colored horizontal stripes on which your object will stand out remarkably.